Clare Waight Keller Takes the Helm at Givenchy: What Her Vision Means for the House’s Handbag Future
Chloé’s Clare Waight Keller is Givenchy’s new creative director. We explore how her accessory expertise could reshape the brand’s handbag identity.

A Surprising but Promising Appointment

The luxury fashion world received unexpected news this week: Clare Waight Keller, who recently left her role at Chloé, has been named the new creative director of Givenchy. Her first collection is expected to arrive during Paris Fashion Week, and the announcement immediately sparked interest among handbag watchers and brand loyalists alike.
Waight Keller’s name had not been among the frontrunners to succeed Riccardo Tisci, who announced his departure from Givenchy in early February. Yet for readers who follow accessories closely, the choice is an intriguing one. Yesterday’s announcement caught many off guard—yet for those who follow handbag design closely, the pairing feels inspired.

The State of Givenchy’s Accessories Before the Change
The Horizon Bag, while intended as a major launch, did not generate the kind of sustained enthusiasm that drives a true house signature. The Horizon Bag, the brand’s most significant recent launch, received a lukewarm reception from shoppers. Additionally, the house distributed samples to celebrity ambassadors that never seemed to reach retail shelves—an unusual misstep for a brand that once excelled at seeding product to build consumer demand. There was also a sense that the brand’s accessory strategy had become less cohesive.
Clare Waight Keller’s Track Record at Chloé
At Chloé, Waight Keller revitalized the accessories division with a series of standout designs. Waight Keller arrives with a strong reputation for building accessories that feel both recognizable and wearable. Where Givenchy’s bags had grown increasingly heavy and masculine, Chloé’s offerings struck a balance between elegance and function—never overly sweet, always refined.
What This Could Mean for Givenchy Bags
If Waight Keller can merge her signature sensibility with the gothic drama that defined Tisci’s Givenchy, the result could be extraordinary. The appeal of her best-known designs lay in their balance: they felt luxurious without being intimidating, distinctive without becoming impractical. Enthusiasts haven’t felt this level of anticipation since Raf Simons took over Dior.
Reader Reactions and Industry Buzz
Waight Keller has shown she understands that equation, which is one reason this appointment has drawn so much attention. Some express concern that Waight Keller’s boho aesthetic may clash with Givenchy’s established identity. If she can combine ease, polish, and a strong point of view, the result could be a handbag range that feels fresh without losing the brand’s sophistication. A few note that the two houses occupy opposite ends of the style spectrum—and that contrast may be exactly what makes the collaboration exciting.
One commenter summed it up: “These are my two favorite handbag lines—as opposite as they might be—so I am thrilled. New creative leadership often reshapes not only silhouettes, but also hardware, proportions, materials, and the overall mood of a bag collection.
Final Thoughts
Givenchy’s handbag department is ripe for reinvention. Some fashion followers wonder whether Waight Keller’s softer aesthetic will align with Givenchy’s established identity. We’ll be watching closely when her first collection hits the runway this October.
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One reader captured the sentiment well by noting how closely the two houses sit on opposite ends of the handbag spectrum, while still feeling connected by taste and craftsmanship.
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